The Figure In Traditional Landscape Painting

The genesis of landscape painting as an art onto itself initially developed from the great painter, Claude Lorrain. Other artists who helped spear head this new form of classical art were Poussin and Carracci. Landscape painting has always been a part of art, yet mostly before Carracci and Claude , landscape was seen as more of a background for figure painting. As landscape painting progressed within history the size of the figures in the landscape became smaller and eventually vanished. To me the figure in landscape painting is a crucial thing, no matter how large or small. I believe the figure in the landscape helps the viewer to relate to the scene emotionally. It can also be an interesting devise, for example a smaller figure can make the landscape feel more epic.  

 

“Pastoral Scene in Mountains” 16x20in. oil on panel

 

“Sunset in The Mountains” 16x24in. oil on panel

 

 For example in the two paintings above, both depict the same mountains (North Carter and Imp, in NH), but the figure in both of them is used in different ways. The painting on top has more a feeling intimacy, gazing at the view from under the bow of a tree.   Where as in the painting below, the figure is much smaller which gives the mountain and the whole space more a feeling of grandeur.

 

Thanks for reading.

 

 

Some More of Summers Work ,and an Upcoming Show…

Lauren Sansaricq “North Carter Mountain from Gorham, N.H” 16x24in. oil on panel

Here are some images of painting I have been working on this past summer they range from large studio paintings to smaller outdoor studies.

Lauren Sansaricq , “Scene in the White Mountains, view of Carter Notch and Black Mountain” 28x 36in. oil on canvas
Lauren Sansaricq “Sunrise over the Saco River” 10x14in. oil on panel
Lauren Sansaricq “view in the white mountains” 9x12in. oil on panel
Lauren Sansaricq “New Hampshire’s Coast (near Portsmouth)”oil on panel, 4x10in. oil on panel
Lauren Sansaricq “View from the top of Jackson Falls”, 11×14, oil on panel
Lauren Sansaricq “Pastoral Scene”, 24x36in. oil on canvas

If you would like to see more of my work please consider attending my upcoming show Glimmer of light  at Saint Anselm College . The show is also done in collaboration with Hawthorne Fine Art 
Thank you for reading,

 

 

 

 

 

Popular Peak of the White Mt. Masters: Mt. Willard

Frank Henry Shapleigh Oil on canvas, 21 x 36 inches

Recently Erik Koeppel and I hiked to the top of Mt. Willard. We spent the afternoon drawing and just taking in the glory of this amazing view. The view from Mt. Willard has been famously painted by, William Sheridan Young , Frank H. Shapleigh, and  Benjamin Champney, among others. The View from Mt. Willard (also known as Artist’s Bluff, in the 19th century) beyond it’s fantastic view of Crawford Notch, also looks down on the Willey House site.

Lauren Sansaricq , view from mt. Willard

 

Erik Koeppel , drawings from the top of Mt. Willard
photos from the top

 

Erik sketching

 

another one of Erik sketching
Benjamin Champney “view from Mt. Willard” 10 x 16 in.

 

Edward Hill’s view of Crawford Notch